An unanticipated perque of Portland is the abundance of casual conversations to be had with visual artists and crafts practitioners. At 7:30 this morning I bought a handbuilt and handsome yellow painted bookcase and less than 10 hours later got to be party to the musings of a young anatomy illustrator who had enjoyed her first taste of graphic novel composition.
The lack of posturing and openness to interactions based wholly on shared visual enjoyment and proximity of participants to both each other and the object of gaze is my version of aesthetic heaven. The environment itself provides so many extraordinary canvasses: sunrise glowing on red brick, skies that seem to sport only true blues, frosted whites, or warm greys, all the shades and tints leaves can assume with the passing seasons.
There’s ugly to be had, of course: the occasional vinyl siding that mocks clapboard rather than echoing it; the weirdly sterile–and happily isolated–protrubences of brutalist architecture. The contrast serves to heighten the majority of sightings, however, rather than overwhelm or negate their fine lines, palettes, and whimsy.
That I didn’t anticipate all this visual richness only makes it more delightful. My eyes haven’t had a bad day in state yet.